WHO: Symphony Silicon Valley presents
WHAT: Beethoven’s Ninth
WHEN: Saturday, June 1, 2019 at 8:00pm
Sunday, June 2, 2019 at 2:30pm
WHERE: The California Theatre, 345 South First Street in downtown San Jose, 95113.
Easy, inexpensive parking is just one block away at San Jose City Garage on San Carlos Street with entrances on 2nd and 3rd Streets.
WHY: Beethoven's Ninth is the unquestioned champion of the concert hall, a work that sums up the Classical age, looks forward to what would follow, and has come to represent courage, hope, and triumph around the world. Every December, innumerable Ninths are performed throughout Maestro Shimono's homeland to mark the turn of the year. SSV last played it to packed houses for the Symphony's 10th anniversary, This June it will be introduced by one of Dvořák's most joyful short works, festive and deeply felt.
PRICES: $50 - $94
BOX OFFICE: 408.286.2600 or www.symphonysiliconvalley.
Or visit the Box Office between 10am and 5pm, Monday through Friday at 325 South First Street in downtown San Jose, between San Carlos and San Salvador Streets just one-half block from the California Theatre.
PROGRAM:
Antonín Dvořák: Te Deum, Op.103
Ludwig van Beethoven: Symphony No. 9 in D minor, Op. 125
Conductor: Tatsuya Shimono
Soloist(s): Symphony Silicon Valley Chorale
About Tatsuya Shimono
Born in Kagoshima in 1969, Tatsuya Shimono cemented his international reputation as a conductor by winning First Prize at the 47th Besançon International Competition in 2001. Since then he has guest conducted major orchestras in Japan and abroad. He received great acclaim for his debuts in subscription concerts with the Orchestra dell'Accademia Nazionale di Santa Cecilia and the Czech Philharmonic Orchestra in 2009, and then in March 2010, made his debut with the Stuttgart Radio Symphony Orchestra.
About Symphony Silicon Valley
The Symphony Silicon Valley Chorale, directed by Maestra Elena Sharkova, has become known for its eclectic mix of vibrant programs. It most often performs at the California Theatre, where it accompanies the Symphony in performing major works. The Chorale also performs pieces from the classical and popular repertoire on its own and with guest soloists. Each December the Chorale presents a holiday concert, Carols in the California, that combines traditional and unusual holiday music with a refreshing major work and audience participation.
More: http://www.
Photo courtesy of Symphony Silicon Valley
About Symphony Silicon Valley: Founded in 2002, Symphony Silicon Valley has progressed from daring idea to exciting reality, rapidly becoming the greater South Bay's premiere orchestra and a notable community success story.
As the Mercury News wrote:
Symphony Silicon Valley began as a phoenix orchestra, rising from the ashes of the old San Jose Symphony. But ...the "new" orchestra…is becoming a fixture on the scene, with its own way of doing things. One night it may play Ellington, the next Mozart…carving out its own identity with numerous guest conductors, some unique repertory and a celebrated new home at the California.
The Symphony's artists, nationally recruited, locally resident, with an average performance tenure in San Jose of over 20 years, are recognized as among the best in the greater Bay Area. Led by an exciting roster of distinguished guest conductors on the European model, the Symphony is an anchor tenant of San Jose's magnificently restored downtown California Theatre, one of Northern California's most outstanding music halls. There, audiences and critics alike greet its concerts with enthusiasm.
Symphony Silicon Valley is setting an example of an innovative business model in the arts -- market driven and financially conservative, with low overhead and the flexibility to match its programming to its support base. It earns 60% of its revenue each year – an extraordinarily high proportion for a symphony of its size.
Symphony Silicon Valley is setting an example of an innovative business model in the arts -- market driven and financially conservative, with low overhead and the flexibility to match its programming to its support base. It earns 60% of its revenue each year – an extraordinarily high proportion for a symphony of its size.
