Poetry Beyond the Page with Ana Maria Caballero at NODE

Head a short drive north of San Jose this Saturday and step into NODE, the immersive digital arts space at 180 University Avenue in Palo Alto. Colombian-American poet and multidisciplinary artist Ana Maria Caballero arrives for an evening that treats poetry as something alive, visual, and shared in real time.

Caballero holds a rare distinction as the first living poet to sell a poem through Sotheby’s. She will discuss her newest collection, Material, published by Trio House Press in 2026, while live multimedia elements of the work appear across NODE’s displays. She will also offer a reading from her forthcoming project Sonic Bodies, which turns the human voice into shifting visual landscapes through spectrogram technology. Each performance creates a unique composition on the spot, showing how verse can move past the printed page and into physical space.

NODE continues its run of boundary-pushing programming after exhibitions featuring CryptoPunks, Beeple, and the current Kim Asendorf PXL installation. The venue pairs Caballero’s practice with large-scale LED surfaces and flexible environments designed specifically for digital and hybrid work. The result is an evening that feels less like a standard reading and more like a temporary collaboration between language, technology, and the room itself.

A book signing follows the conversation. For additional details or to RSVP, visit the event page on Luma.

PXL Exhibition at NODE Invites Region’s Creative Community to Shape Digital Art

Those drawn to the evolving intersection of technology and creativity will find a compelling new destination when PXL by Kim Asendorf opens at NODE in Palo Alto on July 11th. The Berlin-based artist’s summer program transforms the pixel from a basic digital unit into the foundation of living, participatory systems that change with every contribution. Running through mid-September, the exhibition continues the momentum built by earlier presentations that drew tens of thousands of visitors to the space.

Asendorf built his reputation through rule-based generative systems that produce unexpected organic results from simple computational instructions. In PXL he centers the pixel itself, turning millions of individual points of light into interconnected works that respond to participation. Visitors move past observation to become active agents who expand the artwork permanently by adding their own pixels to the larger composition.

Three interconnected pieces form the core experience. PXL DEX establishes the ecosystem through algorithmic shifts that treat pixels as both visual elements and shareable tokens. PXL POD organizes these into evolving cylindrical forms that react to interaction and history, viewable from multiple angles. PXL NET stands as the centerpiece, a vast particle system simulating social and computational networks that requires the full scale of NODE’s hardware to reveal its depth and requires in-person presence for complete engagement.

NODE itself operates as a nonprofit hub dedicated to presenting digital art at physical scale with opportunities for education and preservation. Its 12,000-square-foot facility provides the resources for works that exceed typical home or screen limitations, creating communal encounters that have already proven their draw. The previous major presentation welcomed more than 45,000 visitors, signaling strong regional appetite for this form of immersive culture.